Often, those things are written into scripts, but if you’re used to the magic of filmmaking, often you suggest, “Okay, well they don’t actually have to connect. For example, the advertising office is across the street from the police station, and it is written that way in the script, so that there’s a lot of interaction, back and forth, on the main street. What was important in the script, and also in our process of trying to find our locations, is the physical proximity that certain sets within the town played. The script probably wasn’t super descriptive about the town. What did Martin McDonagh convey to you early on about the look for the fictional town at the heart of Three Billboards? How Martin McDonagh Turned Angry Advertising Into Festival Hit 'Three Billboards Outside Ebbing, Missouri' - The Contenders London Twentieth Century Fox
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